Curated by Jenny Gillam and Eugene Hanson, Still is the first of four exhibitions in the Archive's new Curator at Large programme.
In Still artists have produced work using a video camera in a fixed point of view.
Wide ranging in scope, from the formal and minimal to political documentary, the exhibition includes performance made for video works that consciously critique the cinematic or photographic record, and works by photographers who might instinctively use the video camera in this way.
Camera Work
Adam Art Gallery
Victoria University
Wellington, NZ
January 24 to April 15 2012
This festival season the Adam Art Gallery at Victoria University of Wellington presents a suite of four solo exhibitions that offer different takes on photography.
Recording people and places, these artists’ projects model strikingly different documentary approaches, offering viewers a provocative opportunity to ask what it means when a camera is used to capture a subject, both in the moment and for posterity.
Documentaries, curated by Fiona Amundsen and Dieneke Jansen, is an exhibition that brings together a diverse range of artists whose work spans five decades of documentary photography and moving image practice within New Zealand.
The selected artists range from established iconic figures - David Cook, Ann Shelton, Ans Westra - within national and international photographic discourses to more emerging artists - Edith Amituanai, John Lake, Janet Lilo, Ant Low.
Documentaries, mounted at St Paul St Gallery Three, runs alongside the Expanding Documentary conference jointly hosted by AUT and Auckland University.
Off The Pitch
Eyes on Rugby, Wellington September - October 2011
Off The Pitch was a collaborative photographic project using a web-based blog format to document the events of the 2011 Rugby World Cup. The project was run through Massey University with students and faculty contributing to a an archive of images based the public interaction with this event.
As well as contributing photographs to the project I oversaw the development of the site.
Also involved were Anne Noble, Deidra Sullivan, Olivia Taylor, Shaun Waugh, Thomas McQuillan, Em Davidson, Simon Mark, Helen Mitchell, John Williams, Daniel Betham and Melissa Irving.
Royal New Zealand Ballet choreographers for WOW photographed for Fish Head magazine.
High Street
2 girls in Pomare, Hutt Valley
Street portrait from a series for Wellington's Fish Head magazine on Hutt Valley's High Street.
The Campus Project
I'm shooting a new project commissioned by the Adam Art gallery based around the Victoria University campus.
Permanent Vacation
Some alternate photos from Crude Futures featured in Kerry Ann Lee's new zine Permanent Vacation.
Tiger Translate
Have been commissioned to produce a large photographic lightbox work for the Wellington edition of Tiger Translate on November 26 at the State Opera house.
Hope Is Rubbery
I've been working on the photos and design alongside painter Mica Still for the excellent debut album, Hope Is Rubbery, by Sophie Burbery and Little Bark.
Crude Futures Review
Review of the Crude Futures show by Mark Amery at http://eyecontactsite.com/2010/07/lake-at-the-new-dowse
New Music Video - Dusk and Children
The second So So Modern video from the album Crude Futures. Dusk and Children follows on from January's 'The Worst Is Yet To Come' in taking a lead character from the exhibition and recreating an environment around them. In this case a contemporary remake of the 1960's film 'They Shoot Horses Dont's They?'.
Filmed in Lower Hutt at Secret Level in May.
Crude Futures Opens
Crude Futures opens at The New Dowse gallery, Lower Hutt, Wellington.
New Music Video - The Worst Is Yet To Come
First video from So So Modern's debut album Crude Futures.
Extending the collaboration between So So Modern's album art and the exhibition the first music video for Crude Futures features a recreation of the zombie roller disco orginally photographed in October. Though this time with the band playing in the centre.